Explore Waka on Josplay Music Waka music features call-and-response singing, Yoruba drums like the gangan, and blends traditional folklore with Islamic influences, often performed in a rhythmic, procession-like style.
An islamic-oriented genre of Yoruba music.
The genre traces its roots to Seli, a traditional form of singing in Ijebu society, where groups of women would sing in processions during ceremonies. Waka music also grew from Egbe (social or professional associations) formed by women in markets and Yoruba towns, where they developed new forms of social interaction and celebration. The music reflects elements of how Muslim clerics use Yoruba language in their songs at public events, gradually evolving into a distinctly feminine style.
Batile Alake commercialized Waka music by leveraging the resources of Lagos' modern music companies in the 1960s. Her musical inspiration came from family influences, such as her father and aunt Rafatu Aduke, as well as her close friend Alhaji Haruna Ishola, the King of Apala music. Despite operating in a male-dominated industry, Alake’s career flourished, especially with support from the Ijebu-Igbo Basiri Club, a social group from her hometown. This support, along with her talent, solidified her fame by the 1970s.
Waka music employs a melodic, chant-like singing style, often featuring call-and-response patterns, vocal improvisation, and rich Yoruba tonal inflections and language.
The themes of Waka music revolve around social issues, morality, praise, love, religion, and everyday experiences, often reflecting the values and challenges of Yoruba society.
Waka music draws from Yoruba folklore, Islamic traditions, and the ceremonial singing of Ijebu society, blending these influences with elements of the Muslim clerical chants.
Waka music follows a call-and-response structure, led by a main vocalist supported by a chorus. Yoruba drums like the gangan maintain rhythmic flow, while melodic lines are layered with percussive elements, creating danceable arrangement.